7/27/2004
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(Link from Zap)
snap judgments about pop culture, sports, politics, etc.
7/27/2004
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7/27/2004
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7/27/2004
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7/26/2004
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7/22/2004
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7/22/2004
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Oh gag. A group of mostly southern belles in DC has formed a club for aspiring trophy wives. Does it surprise that at least 80% of the Madison Club is Republican? A member of the male-equivalent Capital Club says, "We're starting a breeding program. We're going to maintain the blue-blood line." Doesn't it bother anyone these days that a blonde graduate of Alabama or Ole Miss thinks she can still arrive in Washington, twirl her hair, flash some cleavage, and think she can run the town or at least land a congressman? (link via Wonkette)
7/22/2004
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7/22/2004
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7/21/2004
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7/20/2004
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7/19/2004
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7/16/2004
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7/16/2004
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7/15/2004
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7/15/2004
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7/14/2004
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7/14/2004
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This movie, despite its marketing claims, is not a "documentary." A documentary strives for some sort of balance, and this strives for no balance whatsoever. And it is only when you jettison that misleading label that you can appreciate it for what it is.
Michael Moore is an immature jerk, and the movie reflects that. He is also a wild-eyed partisan, an unapologetic polemicist, and a willing distorter of facts, and the movie reflects all that. He is also a funny guy, and the movie reflects that. Watching it is like watching a very articulate, screamingly funny street lunatic rail from a soapbox in front of the White House. You don't believe everything he says, but you ain't going nowhere until he is finished, and sometimes you walk away thinking you picked up something of value.
...
However, what is left when you trashcan all the silliness is a movie that is extremely entertaining -- heart-wrenching in parts, and really funny in parts. It's a major emotional whipsaw, and it works...
7/14/2004
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7/13/2004
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7/13/2004
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7/12/2004
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7/09/2004
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7/08/2004
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7/07/2004
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7/07/2004
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7/07/2004
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7/06/2004
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7/05/2004
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Hollywood producers are adding more international actors to their films in an effort to combat domestic box office bombs. They hope foreign stars will help worldwide profits, like Ken Watanbe (right) did for "The Last Samurai" in Japan, where it made more money than it did in the U.S. Film producers are also suggesting that there is a trend away from traditional shoot-em-up American action heroes in the post 9/11 world.
7/02/2004
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7/02/2004
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7/01/2004
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